What goes into writing a great movie script?

To develop a unique voice for each character, try interviewing your characters.

Cut everything that is not a payoff, or a setup for a specific payoff. “Omit needless words.” Think about the sparseness of joke telling, or Grimm Brothers.

Use status to help drive conflict. King Lear/fool. Upstairs/downstairs.

Why are Republicans so afraid of a strong leader like Vice President Kamala Harris? Are they worried if she becomes President she will make them look stupid?

Conflict is your power source; without it you have no drama and hence no script.

Maintain a slush pile/idea file. When you are ready to write, choose the best seeds to plant.

Get up there yourself. Be in a movie. Take some acting (not writing) classes. Learn how a trained actor approaches a text. Learn why actors take roles. They do as much if not more than the writer does.

Hi booktokers! What are we currently reading? 😊📖

The DSM 5 is a wonderful character compendium.

Actors give better feedback than writers do.

Outline everything. Use story beats. Keep character’s mouths taped up, until they absolutely MUST speak. Write the script and the dialogue at the last minute, after you’ve revised the hell out of the outline.

Predator: Killer of Killers Ending Explained - Does It Set Up Prey 2? - IGN

Learn to tell a story orally and not through writing. Try telling your story to a friend.

All rules are made to be broken, but you damn well better know WHY you’re breaking them.

Primary characters must change polarities. Secondary characters can change less.

Why am I attracted to older men?

A critical function of storytelling is wish fulfillment. This is why video games are so popular. “That protagonist is JUST LIKE ME.”

Don’t direct from the page. Everyone, from the director on down, wants to be part of the process of making movies. Let them do their work.

Make sure to pack enough explosives into the rocket.

Space photo of the week: Pink 'raindrops' on the sun captured in greatest detail ever - Live Science

Only God gets it right the first time. Rewrite everything.

What you leave unwritten is as important as what you write. SUBTEXT.

People choose what to see based on the high concept. Make sure to deliver an ending consistent with the high concept -- it is what the audience paid for.

My boss called me on a Saturday to let me know he that due to financial reasons, I was no longer needed effective immediatley. 3 days later, he sends me a text asking about work issues. How do I respond?

A scene should change valence from beginning to end. Up to down, down to up.

Leave holes. Write and unwrite. Put it in, take it out.

Audiences are smarter than you think. Something about turning down the house lights makes their IQs go up.

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Write in reverse time. Major characters need to change polarity; minor characters may remain the same at the end.

Research the facts and then throw away the research.

Your primary job is to create situations. Modern actors will fuck up your dialogue, despite whatever your contract says.

What does it mean when someone tells you they love you and want you in their life, but doesn't want to commit?